People who make music are special. I have always felt this being mostly non-musical myself. In all the time I knew him, I watched Ken think up rhythms then jot down musical notes when he got inspired. There’s even an envelope still down in the music room today full of scraps of paper with musical notations on them. I do wonder if Calvin, our resident piano student of four years, will ever feel inclined to look through those and perhaps become inspired to iterate. No pressure though, Calvin is his own person with his own musical journey. But that envelope is there should he ever be curious…
Ken wrote and produced some songs after we met, especially funny, surprise ones for my birthday or even one including the kids for Mother’s Day. But life got busy and he had less time for the pursuit of original music making. I know he enjoyed one-off musical dalliances with friends like David F. in NY who produced a song together as well as riffing with Dan V. when we’d visit Towson, or with Billy when he’d visit LA and later with his friend Bob S. from work. However, I had a vague awareness that earlier in his life he had been even more prolific with music writing. But I had no idea how prolific he had been.
In March 2012, a 20+ year reunion to perform mostly covers with his post-college “band” No Rush in Ken’s Seattle man cave/music room scratched the performance itch. We haphazardly recorded everything and shot slapdash videos. One of the No Rush band members, Charly, is a piano teacher and has a doctorate in music. In their 20’s, Charly, Ken and the other member, Dave P., would record audio cassettes of music they had written plus commentary + hijinks then send them back and forth to each other. When Charly was out visiting Ken for the last time in April 2021, he took with permission the musical notebook Ken used to write his early works as well as those audio cassettes Ken still had. After Ken’s death, I found more in going through some boxes and sent those to Charly as well.
In one of the most generous and meaningful gestures, Charly has digitized the cassette tapes, analyzed the written compositions, transcribed and performed them so we know what some of the previously unperformed pieces sound like. He even arranged some of Ken’s easier pieces in a way that Calvin could actually learn to play them at his current level. And in this very special case, Charly ‘collaborated’ with Ken by finishing this initially incomplete (but now gorgeous!) piece so it becomes the work of two composers: Ken & Charly. Also if that were not enough, Charly’s adult daughter Claire, who is a violinist, contributed to fully realize the range of this duet. It’s hard for me to put into words how precious, surprising and incredible this is. To have something new from Ken, something surprising and inspired is a gift only Charly could give us. Not only because of his level of expertise in music but how he knew Ken and can channel his intent, influences and general vibe by honoring the man and musician he was.
It’s so exciting to share this and so much appreciation goes out to Charly and his daughter Claire for making this happen. ❤️🎵
Here is a rundown of how the track goes:
0:00 – 0:30 Piano introduction
0:30 – 1:45 Ken’s theme (Everything up through this point is exactly as written in Ken’s sketchbook.)
1:45 – 2:40 Charly’s theme
2:40 – 3:50 Ken’s theme returns but the first part is changed to the minor key.
3:50 – 4:40 Coda – Charly put this together based on Ken’s theme, but with some rhythmic variations that Ken would have appreciated.